Channel: Classical Tunes

Category: Music

Tags: lovefriendlychillclassicalfocusbachbestpeacefulgoldsleep#classicalmusicmusictoperareliefmozartadvertiserstressstudyingloungebaroquereadingconcentrationvivaldiheavenly100evermeditation#musicforreadingasmr

Description: Subscribe and turn on notifications to be alerted of our uploads! bit.ly/3l3yzDc 00:00:00 Overture: Andante maestoso - Allegro vivace 00:06:41 Act I: Introduzione: Piano, pianissimo (Moderato) 00:09:58 Act I: Cavatina: Ecco, ridente in cielo (Largo) 00:12:13 Act I: Cavatina: Ecco, ridente in cielo (Allegro) 00:13:59 Act I: Cavatina: Ecco, ridente in cielo (Vivace) 00:15:10 Act I: Cavatina: Largo al factotum (Vivace) 00:17:21 Act I: Duet: All'idea di quel metallo (Allegro maestoso) 00:22:10 Act I: Duet: All'idea di quel metallo (Allegro) 00:24:31 Act I: Cavatina: Una voce poco fa (Andante) 00:26:39 Act I: Cavatina: Una voce poco fa (Moderato) 00:29:47 Act I: Aria: La calunnia e un venticello (Allegro) 00:33:09 Act I: Duet: Dunque io son (Allegro) 00:37:38 Act I: Duet: Dunque io son (Marciale) 00:39:04 Act I: Duet: Dunque io son (Lento) 00:39:57 Act I: Duet: Dunque io son (Allegro) 00:44:37 Act I: Aria: Allegro 00:46:20 Act I: Aria: Allegro 00:47:42 Act II: Quintet: Pace e gioia (Moderato) 00:49:19 Act II: Quintet: Pace e gioia (Allegro) 00:51:19 Act II: Quintet: Pace e gioia (Allegro) 00:52:47 Act II: Trio: Ah! qual colpo inaspettato (Andante) 00:57:35 Act II: Trio: Ah! qual colpo inaspettato (Allegro) 00:59:04 Act II, “Variazioni di Madame Catalani”: Andante con due variazioni 01:02:58 Act II: Finale: Di si felice innesto (Polonaise) Italiano di Fiat & Pollastri Paolo (P)(C) Tactus Sas Italy All Rights Reserved ITD551016101 Rossini: Il Barbiere di Siviglia nella trascrizione per Harmonie di Wenzel Sedlak Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera The Marriage of Figaro, composed 30 years earlier in 1786, is based on the second part of the Beaumarchais trilogy. The first Beaumarchais play was originally conceived as an opéra comique, but was rejected as such by the Comédie-Italienne. The play as it is now known was premiered in 1775 by the Comédie-Française at the Théâtre des Tuileries in Paris. Other operas based on the first play were composed by Giovanni Paisiello (his Il barbiere di Siviglia premiered in 1782), by Nicolas Isouard in 1796, and then by Francesco Morlacchi in 1816. Though the work of Paisiello triumphed for a time, only Rossini's version has stood the test of time and continues to be a mainstay of operatic repertoire. On 11 November 1868, two days before Rossini's death, the composer Constantino Dall'Argine [es] (1842–1877) premiered an opera based on the same libretto as Rossini's work, bearing a dedication to Rossini. The premiere was not a failure, but critics condemned the "audacity" of the young composer and the work is now forgotten. Performed in 1929 by the New York Philharmonic conducted by Arturo Toscanini Problems playing these files? See media help. Rossini was well known for being remarkably productive, completing an average of two operas per year for 19 years, and in some years writing as many as four. Musicologists believe that, true to form, the music for Il barbiere di Siviglia was composed in just under three weeks,[9] although the famous overture was actually recycled from two earlier Rossini operas, Aureliano in Palmira and Elisabetta, regina d'Inghilterra and thus contains none of the thematic material in Il barbiere di Siviglia itself. #Rossini #SevillaBarber #Flute